# @thomasfarrenkopf7292 on YouTube

- **Type:** Video
- **Original URL:** https://youtube.com/watch?v=-dvwKoL6nCo
- **Gondola URL:** https://gondola.cc/posts/22198362-thomasfarrenkopf7292-youtube
- **Thumbnail:** https://img.gondola.cc/tr:w-,h-,fo-auto/postThumbnails/47ab5a5f25.jpg
- **Posted:** 2024-04-13T21:44:06.000+00:00
- **Account Owner:** Thomas Farrenkopf (@TomFarrenkopf) — https://gondola.cc/TomFarrenkopf

## Caption

Tom Talks Film (TTF) is your destination for captivating insights into the world of cinematic arts! Join Tom in this ongoing video essay series as they explore a myriad of topics within the realm of cinema. From dissecting iconic films to discussing emerging trends, each episode promises to deepen your appreciation for the magic of storytelling on the silver screen! 

Episode 5:
Welcome back to Tom Talks Film! In this episode, I embark on a profound exploration of Soviet Montage, a revolutionary film editing style that reshaped cinematic history. Join me as I unravel the work of Lev Kuleshov, Dziga Vertov, Vsevolod Pudovkin, and Sergei Eisenstein, masterminds who pioneered Montage theory in the early 20th century.
We'll journey through Montage's origins, tracing its roots to the visionary experiments of early cinema. From Kuleshov's groundbreaking experiments to Vertov's quest for cinematic truth, from Pudovkin's psychological depth to Eisenstein's intellectual collisions, each theorist's contribution offers a unique perspective on film editing. Join me as I bridge the past and present, celebrating the enduring legacy of these cinematic pioneers. 
 
Dive deeper into the sources and films listed below, and join me as I uncover the Rhythms of Revolution in Soviet Montage. 

Bibliography
Ahava, Juho. Lev Kuleshov and the Ontology of Silent Cinema. 2020. The University of Iowa, Ph.D. ProQuest, https://www.proquest.com/fii/docview/2501290676/abstract/1B68E375A5344436PQ/1
Bordwell, David, and DZIGA VERTOV. “DZIGA VERTOV.” Film Comment 8, no. 1 (1972): 38–42. http://www.jstor.org/stable/43752889 
Bordwell, David. “The Idea of Montage in Soviet Art and Film.” Cinema Journal 11, no. 2 (1972): 9–17. https://doi.org/10.2307/1225046.
Eisenstein, Sergei. Writings, 1922-1934: Sergei Eisenstein selected works. Translated by Richard Taylor. I.B. Tauris, 2010.
Haverkamp, Michael. “Vertical Montage. Alignment of Music Score, Image Pattern and Movement.... | Download Scientific Diagram.” ResearchGate, November 2012. https://www.researchgate.net/figure/Vertical-Montage-Alignment-of-music-score-image-pattern-and-movement-Sergei_fig1_280528729 
Hellerman, Jason. “Pudovkin’s Montage: 5 Editing Techniques That Speak Louder than Words.” No Film School, September 20, 2023. https://nofilmschool.com/pudovkin-montage-theory 
Jones, Jonathan. “Vsevolod Pudovkin, the Silent Revolutionary.” The Guardian, August 31, 2001. https://www.theguardian.com/film/2001/aug/31/artsfeatures1 
Kolesnikov, A. (2020). The geocultural provenance of narratives: The case of the Kuleshov effect. Film History, 32(2), 55-79. doi:https://doi.org/10.2979/filmhistory.32.2.03
Lawton, Anna. “Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema.” Pacific Coast Philology 13 (October 1978): 44. https://doi.org/10.2307/1316363.
Liebman, Stuart. "KULESHOV ON FILM." Film Comment 11, no. 5 (Sep, 1975): 66-66,68, http://libproxy.usc.edu/login?url=https://www.proquest.com/scholarly-journals/kuleshov-on-film/docview/1647261134/se-2 
Mayne, Judith. "Eisenstein, Vertov, and the Montage Principle." Minnesota Review 5 (1975): 116-124. muse.jhu.edu/article/428017.
Michelson, Annette, and Kevin O’Brien. Kino-Eye: The writings of Dziga Vertov. Berkeley, CA: Univ. of California Press, 1984.
Olenina, Ana. "Engineering Performance: Lev Kuleshov, Soviet Reflexology, and Labor Efficiency Studies." Discourse 35, no. 3 (Fall, 2013): 297-336,432, http://libproxy.usc.edu/login?url=https://www.proquest.com/scholarly-journals/engineering-performance-lev-kuleshov-soviet/docview/1563926173/se-2 

Films
The Battleship Potemkin. U.S.S.R.: Goskino, 1925. https://www.youtube.com/watch?v=a_bkBbrdyyw 
Come Along, Do! United Kingdom: Paul’s Animatograph Works, 1898. https://www.youtube.com/watch?v=InjbqE41K6k 
The End of St. Petersburg. U.S.S.R: Mezhrabpom-Rus, 1927. https://www.youtube.com/watch?v=-Pe72HmPFt8 
Kino-Eye. U.S.S.R., 1924. https://www.youtube.com/watch?v=8KHm1LjD5No 
Kuleshov Effect. Soviet Union, 1918. https://www.youtube.com/watch?v=QDcGPdGBXF8 
Man with a Movie Camera. Film. U.S.S.R., 1929. https://www.youtube.com/watch?v=3GyNB4-eN1E&t=229s 
Mother. U.S.S.R.: Mezhrabpom, 1926. https://www.youtube.com/watch?v=jlkuSMs2YgI&t=3s 
October. U.S.S.R.: Sovkino, 1927. https://www.youtube.com/watch?v=YVuf3T3k-W0&t=748s 
Psycho. DVD. United States: Universal Pictures, 1960.
Rocky IV. DVD. United States: United Artists, 1985.
The Sixth Part of the World. U.S.S.R, 1926. https://www.youtube.com/watch?v=lVfPWKSHBIo 
Storm over Asia. U.S.S.R.: Mejrabpomfilm, 1928. https://www.youtube.com/watch?v=a2fPZK-gt0w&t=20s 
Strike. U.S.S.R.: 1st Goskino Factory, 1925. https://www.youtube.com/watch?v=hG_yM7We0C8

## Stats

- **Views:** 372
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## Credits

| Name | Username | Profile | Role |
| --- | --- | --- | --- |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | YouTuber |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | Digital Producer |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | Video Editor |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | Writer |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | Creator |

## Tags

youtuber, videoproduction, filmstudies, sovietunion, sovietfilms, soviet, eisenstien, cinemastudies, youtube, studies, webseries, earlycinema, tomtalksfilm, documentaryshorts, socialissues, videoessay, director, montage, editing

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