# @dancespiritmagazine on Instagram

- **Type:** Image
- **Original URL:** https://www.instagram.com/p/DBrRyw1PJbw
- **Gondola URL:** https://gondola.cc/posts/24443965-dancespiritmagazine-instagram
- **Thumbnail:** https://img.gondola.cc/tr:w-,h-,fo-auto/thumbnails/a022d18fb7.jpg
- **Posted:** 2024-10-28T17:28:55.000+00:00
- **Account Owner:** Dance Spirit Magazine (@dancespiritmagazine) — https://gondola.cc/dancespiritmagazine

## Caption

eleni.loving unspools movement like a magic trick. Dancing Twyla Tharp’s percussive "The Fugue" (1970/2024) with gibneydance, she captures the work’s airy groundedness with precise musicality and a deadpan delivery. In Jermaine Spivey and Spenser Theberge’s "Remains," she is a marionette who has cut her own strings, her gestures at once precisely calibrated and wholly in-the-moment, both cerebral and instinctive. Like a master illusionist, she directs attention precisely where she wants it, all the while maintaining a sense of spontaneity, naturalness, and discovery.

Head to the link in our bio to learn more about Eleni's training, journey through self-criticism, and love for her community. 💖

📸: Loving in Jermaine Spivey and Spenser Theberge’s “Remains.” Photo by canigetawhitney, Courtesy Gibney.
📝: cescoyne for dancemagazine 

#EleniLoving #contemporarydancer #dancer #dancespirit sleepnomorenyc 

Media description:
A female dancer on stage wearing a white tank and yellow pants. She is lunging, as if she’s about to run, while holding a microphone in her right hand. Text reads: “The minute I get frustrated is when I know that I now need a different tool to be able to dig further into the work. It’s not necessarily the end; it’s just a matter of getting the right information to figure it out.” —Eleni Loving on leaning into frustration

## Stats

- **Views:** 0
- **Likes:** 147
- **Shares:** 0
- **Comments:** 3

## Tags

eleniloving, dancespirit, dancer, contemporarydancer

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