# @thomasfarrenkopf7292 on YouTube

- **Type:** Video
- **Original URL:** https://youtube.com/watch?v=SFxA2ABmzno
- **Gondola URL:** https://gondola.cc/posts/26026550-thomasfarrenkopf7292-youtube
- **Thumbnail:** https://img.gondola.cc/tr:w-,h-,fo-auto/postThumbnails/dfeb683236.jpg
- **Posted:** 2024-12-11T05:23:54.000+00:00
- **Account Owner:** Thomas Farrenkopf (@TomFarrenkopf) — https://gondola.cc/TomFarrenkopf

## Caption

Tom Talks Film (TTF) is your destination for captivating insights into the world of cinematic arts! Join Tom in this ongoing video essay series as they explore a myriad of topics within the realm of cinema. From dissecting iconic films to discussing emerging trends, each episode promises to deepen your appreciation for the magic of storytelling on the silver screen! 

Episode 10
In this episode, I dive into Jane Campion’s In the Cut and its bold redefinition of the Gaze. Drawing from Laura Mulvey’s feminist film theory and Alfred Hitchcock’s legacy, I explore how Campion flips traditional power dynamics in cinema, centering female subjectivity and complicating voyeurism.  

From the film’s introspective gaze to its striking sound and visuals, I'll explore how In the Cut critiques Hollywood norms and reclaims the narrative.

 Like, comment, and subscribe to join the conversation!

Sources
Brent, Jessica. “Beyond the Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock.” Camera Obscura: Feminism, Culture, and Media Studies 19, no. 1 (2004): 77–111. https://doi.org/10.1215/02705346-19-1_55-77  
Butler, Lucy. “Too Close to the Bone: The International Critical Reception of Jane Campion’sin the Cut.” Studies in Australasian Cinema 7, no. 1 (January 2013): 9–22. https://doi.org/10.1386/sac.7.1.9_1 
In the Cut. Film. United Kingdom: Pathe, 2003. 
Mulvey, L. “Visual Pleasure and Narrative Cinema.” Screen 16, no. 3 (September 1, 1975): 6–18. https://doi.org/10.1093/screen/16.3.6 
Rear Window. United States: Paramount Pictures Corp., 1954.
Richard, David Evan. “Film Phenomenology and Adaptation: The ‘Fleshly Dialogue’ of Jane Campion’s in the Cut.” Adaptation 11, no. 2 (January 27, 2018): 144–58. https://doi.org/10.1093/adaptation/apx028 
Thornham, Sue. “Starting to Feel Like a Chick.” Feminist Media Studies 7, no. 1 (March 2007): 33–46. https://doi.org/10.1080/14680770601103688

## Stats

- **Views:** 2,714
- **Likes:** 4
- **Shares:** 0
- **Comments:** 0

## Credits

These are the roles credited on Gondola. Credits may be incomplete.
A brand, account owner, or featured person is not necessarily the creator.

| Name | Username | Profile | Role |
| --- | --- | --- | --- |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | Director of Photography |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | YouTuber |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | Video Editor |
| Thomas Farrenkopf | @TomFarrenkopf | https://gondola.cc/TomFarrenkopf | Writer |

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