# @thefader on Instagram

- **Type:** Image
- **Original URL:** https://www.instagram.com/p/DFxtU9hRaNU
- **Gondola URL:** https://gondola.cc/posts/26518963-thefader-instagram
- **Thumbnail:** https://img.gondola.cc/tr:w-,h-,fo-auto/postThumbnails/6377b0cc24.jpg
- **Posted:** 2025-02-07T15:30:32.000+00:00
- **Account Owner:** The FADER (@thefader) — https://gondola.cc/thefader

## Caption

Formed in 2017, CDMX-based five-piece Diles que no me maten make improvisational, jazz-tinged rock in a vibrant local scene. They started out as something of a metal band but quickly developed a language based on collective, repetitive improvisation. This led them to their first EP, Cayó de su Gloria el Diablo (The Devil Fell from Glory), a tryptic in which singer/saxophonist Jonás Derbéz delivers free-form, spoken-word poetry over boiling seas of krautrock psychedelia. The tape cemented the group as core members of a vibrant scene on the verge of bubbling over.

The new songs are intense — crushing, jazz-tinged hyperballads with a few punchy, motorik rockers mixed in. The upcoming project will be their fourth full-length, following three utterly distinct records: Their 2020 debut Edificio begins with a 12-minute improvisation over the contemplative chords of Bill Evans’s “Peace Piece”; 2021’s La vida de alguien más has a concise mid-album krautrock jam called “Outro”; and Obrigaggi, from 2023, strikes a difficult balance between free playing and discrete “songs.”

Read hamiltonthemixtape’s interview with no_me_maten at the link in bio, or head to TheFADER.com.

📸 Melisa Lunar

#Dilesquenomematen

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