# @hyperallergic on Instagram

- **Type:** Image
- **Original URL:** https://www.instagram.com/p/DVtIlnEFbd8
- **Gondola URL:** https://gondola.cc/posts/59127089-hyperallergic-instagram
- **Thumbnail:** https://img.gondola.cc/tr:w-,h-,fo-auto/postThumbnails/dcea9a57c4.jpg
- **Posted:** 2026-03-10T13:14:55.000+00:00
- **Account Owner:** Hyperallergic (@hyperallergic) — https://gondola.cc/hyperallergic

## Caption

The Whitney Biennial opened to the public on Sunday. While it has lost some of its luster over the years, the show is still considered a barometer of American art today. Many critics have called this year’s edition “weird,” but Aruna D’Souza (invisible.flaneuse) isn’t quite so convinced.

Read her thoughts at the link in our bio.
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1 - Installation view of Pat Oleszko, “Blowhard” (1995), bylon and blower (photo Hakim Bishara/Hyperallergic)

3 - Kelly Akashi, “Monument (Altadena)” (2026), cast glass bricks, mortar, and stainless steel (photo Aruna D’Souza/Hyperallergic)

5 - Installation view of works by Isabelle Frances McGuire (photos Aruna D’Souza/Hyperallergic)

7 - Gabriela Ruiz, “Homo Machina” (2026), fiberglass, foam, plaster, resin, aqua resin, plexiglass, mirror, plastic, LED street lamps, motor, monitors, speakers, and surveillance camera(photo Aruna D’Souza/Hyperallergic)

9 - Agosto Machado, “Anna May Wong (Altar)” (2025) (photo Lakshmi Rivera Amin/Hyperallergic)

#WhitneyBiennial #WhitneyMuseum #ContemporaryArt

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## Tags

whitneymuseum, contemporaryart, whitneybiennial

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