# @hyperallergic on Instagram

- **Type:** Image
- **Original URL:** https://www.instagram.com/p/DXg_urGjqxP
- **Gondola URL:** https://gondola.cc/posts/64734185-hyperallergic-instagram
- **Thumbnail:** https://img.gondola.cc/tr:w-,h-,fo-auto/postThumbnails/64a60b58c3.jpg
- **Posted:** 2026-04-24T13:09:25.000+00:00
- **Account Owner:** Hyperallergic (@hyperallergic) — https://gondola.cc/hyperallergic

## Caption

“Parallax(e): Perspectives on the Canada–US Border” brings together photographs, maps, and watercolors produced by British and American surveyors, engineers, and artists associated with the Northwest Boundary Survey (1857–62) with recent artworks and new commissions by five Indigenous artists from both sides of the border. 

The exhibition’s framework, co-created with five Indigenous curatorial collaborators, centers the notion that “the border crossed us,” emphasizing how the boundary line disrupted longstanding Indigenous networks of kinship, ecological stewardship, cultural practice, and trade. 

“Parallax(e)” is on view at thereachgallery in Abbotsford, British Columbia, through May 30. 

Learn more at the link in bio.
.
.
.

1 - Xémóntalot Carrielynn Victor (Stahlo Coast Salish, mixed European), “Te lewómet / Inside a hollow object” (2025), wood carving, paint, red and yellow cedar, fish bones, stones, roots, and synthetic sand, with audio recording of original composition, dimensions variable (photo by Dale Klippenstein Photography)

2 - British Corps of Royal Engineers, “Cutting on the 49th Parallel, on the right bank of the Mooyie River looking west” (c. 1860), albumen print from wet collodion-on-glass negative,  9 5/8 x 8 13/16 inches (courtesy the Victoria and Albert Museum)

3 - Deb Silver (Coast Salish, Sumas First Nation), “Searching for the Line” (2025), silver gelatin print, 14 x 11 inches (courtesy the artist)

4 - Thiusoloc (Stó:lō?) Boundary Survey Map, 1859, pen and ink on paper, 14 3/8 x 20 1/8 inches (courtesy the National Archives & Records Administration, Washington, DC)

5 - Shawn Brigman (Spokane Tribe of Indians), “Concrete sturgeon-nose canoe” (2024–25), traditional all-natural canoe frame, concrete skin, dimensions variable (photo by Dale Klippenstein Photography)

#TheReachGalleryMuseum #ParallaxeExhibit #Photography #Sculpture #IndigenousArt #Sponsored

## Stats

- **Views:** 0
- **Likes:** 93
- **Shares:** 0
- **Comments:** 0

## Tags

parallaxeexhibit, sculpture, photography, thereachgallerymuseum, indigenousart, sponsored

---
Copyright (c) Gondola