# @carnegiemuseumofart on Instagram

- **Type:** Image
- **Original URL:** https://www.instagram.com/p/B1T9rK6hT-P
- **Gondola URL:** https://gondola.cc/posts/75820821-carnegiemuseumofart-instagram
- **Thumbnail:** https://img.gondola.cc/tr:w-,h-,fo-auto/postThumbnails/d24a518658.jpg
- **Posted:** 2019-08-18T16:24:37.000+00:00
- **Account Owner:** Carnegie Museum of Art (@carnegiemuseumofart) — https://gondola.cc/carnegiemuseumofart

## Caption

Our latest essay in #CMOAstoryboard comes from Sarah Rafson, who writes about the life and work of influential Italo-Brazilian architect Lina Bo Bardi.
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"Architecture is a profession that has long struggled with major gender inequities," writes Rafson. "It is no wonder [that] a 2011 article by The Globe & Mail critic Lisa Rochon asked ‘How was Bo Bardi missed by the Pritzker?’ That her work in architecture—along with furniture design, exhibition design, jewelry design, criticism, curation, preservation, and education—was unheralded in her lifetime speaks to the double standard in how the field assesses women’s contributions."
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Read the full essay at storyboard.cmoa.org. #LinaBoBardi #Architecture
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Images: Lina Bo Bardi, SESC Pompeia, São Paulo, 1977; Casa de Vidro, São Paulo, 1949–50; SESC Pompeia, São Paulo, 1977, interior of factory converted into a cultural center, showing shallow meandering water feature. Photos: Nelson Kon.

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## Credits

No public credits are recorded here. This does not identify who made the post.

## Tags

cmoastoryboard, linabobardi, architecture

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