Formed in 2017, CDMX-based five-piece Diles que no me maten make improvisational, jazz-tinged rock in a vibrant local scene. They started out as something of a metal band but quickly developed a language based on collective, repetitive improvisation. This led them to their first EP, Cayó de su Gloria el Diablo (The Devil Fell from Glory), a tryptic in which singer/saxophonist Jonás Derbéz delivers free-form, spoken-word poetry over boiling seas of krautrock psychedelia. The tape cemented the group as core members of a vibrant scene on the verge of bubbling over. The new songs are intense — crushing, jazz-tinged hyperballads with a few punchy, motorik rockers mixed in. The upcoming project will be their fourth full-length, following three utterly distinct records: Their 2020 debut Edificio begins with a 12-minute improvisation over the contemplative chords of Bill Evans’s “Peace Piece”; 2021’s La vida de alguien más has a concise mid-album krautrock jam called “Outro”; and Obrigaggi, f...