“Is it 2008 or 2025? It feels like yesterday when #LadyGaga first broke out on the scene with her melodramatica, synth operatic suono in ‘The Fame’ and ‘The Fame Monster,’ and what makes her ‘Mayhem’ album accessory concert #TheMayhemBall all the more amazing is how timeless it is,” Deadline’s Anthony D’Alessandro reviews Lady Gaga’s ‘The Mayhem Ball.’ Read the full review at the link in bio.