Today, cinematographer Steve Yedlin (GLASS ONION, STAR WARS: THE LAST JEDI, LOOPER) speaks with us on the latest episode of the Team Deakins Podcast. We break down several shots from BARTON FINK and A SERIOUS MAN for Steve, and Steve breaks down for us how he keeps the stage line intact while shooting large ensemble films like GLASS ONION and KNIVES OUT. We later discuss his presentation (available on his website) on why resolution does not determine the look of a film and is simply a measurement of pixels. Towards the end, we consider the seemingly newfound desire to “do it the old way” and the elusive definition of the word filmic.⁠ ⁠ We hope you enjoy listening!⁠ -⁠ This episode is sponsored by Aputure⁠ Instagram: aputure.lighting⁠ -⁠ #teamdeakins #rogerdeakins #rogeradeakins #sirRoger #bywaysBook #jamesellisdeakins #teamdeakinspodcast #steveYedlin #cinematographer #cinematography #stillPhotography