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In Sunday's episode, Team Deakins has the pleasure of speaking with cinematographer Bruno Delbonnel! In this episode, we learn that Bruno worked as an AC for fifteen years and how that influenced him in deciding what kind of cinematographer he wanted to be. We talk about how Bruno achieved the look of Amélie with Jean-Pierre Jeunet, how he approached shooting The Great Hall in Harry Potter and the Half-Blood Prince, and how he works with his gaffers. Bruno tells us about storyboarding with Aleksandr Sokurov on Faust and what it was like for him to work with Tim Burton. It's a great episode that you do not want to miss! - Bruno with Alexander Sokurov on the set of Faust, photo by Mitya Ganopolsky⠀⠀⠀⠀⠀⠀⠀⠀⠀ -⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Posted on Instagram at
8/13/2021, 4:06:32 PM
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