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In tomorrow's episode, Team Deakins speaks with editor Tom Cross! We dive into Tom's process and discuss invisible cutting versus when you want the audience to feel the cuts. We discuss Lee Smith's incredible work on 1917 and how there is so much more work behind the edit that the audience doesn’t see and will never know about. Together we discuss Tom's approach to First Man, his close collaboration with cinematographer Linus Sandgren, and how he loves film grain. Tom talks about how movies can be saved in the editing room, how he looks for clips that he can linger on and his first memory of a movie ever! Tune in tomorrow! ⠀⠀⠀⠀⠀⠀⠀⠀⠀ -⠀⠀⠀⠀⠀⠀⠀⠀⠀
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