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In Wednesday’s Episode, Team Deakins is joined by cinematographer Rodrigo Prieto! We discuss Rodrigo’s time experimenting with soft light at film school, how he got into the union, and his first-ever commercial shoot. We learn that Rodrigo learned proper exposure, framing, and composition from watching still photographer Nadine Markova at work. Rodrigo tells us what it’s like working with Pedro Almodóvar and Martin Scorsese and how he decided what camera he would use to shoot The Irishman. It’s a great episode that you don’t want to miss! ⠀⠀⠀⠀⠀⠀⠀⠀⠀ -⠀⠀⠀⠀⠀⠀⠀⠀⠀ Photo courtesy of vilcekfoundation⠀⠀⠀⠀⠀⠀⠀⠀⠀ -⠀⠀⠀⠀⠀⠀⠀⠀⠀
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