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In tomorrow’s episode, Team Deakins has a great conversation with cinematographer Chris Menges! Chris shares his experience working with Miroslav Ondříček and how it prepared him to shoot Kes with Ken Loach. He tells us about shooting Kes, the sure way to ruin a performance, how lighting when on location plays a crucial part in making the image believable and what a cinematographer’s ultimate betrayal is. He also tells us about what it was like to work with Bill Forsyth and how we have lost the experimentation and passion of filmmaking with the rise of big-budget entertainment. Don’t miss this one!⠀⠀⠀⠀⠀⠀⠀⠀⠀ -⠀⠀⠀⠀⠀⠀⠀⠀⠀ Chris on the set of Kes (1969)⠀⠀⠀⠀⠀⠀⠀⠀⠀ -⠀⠀⠀⠀⠀⠀⠀⠀⠀
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