In tomorrow’s episode, Team Deakins speaks with cinematographer Larry Sher! Together we discuss the opening scene of The Hangover and Larry’s working relationship with director Todd Phillips. We dive into The Joker and talk about how Larry enjoyed operating the b camera and the freedoms it allowed him while shooting Joaquin Phoenix’s performance. Larry tells us that he practices broad stroke color theory and how he implemented it in The Joker, as well as how much he prefers shooting on location. We touch on the film Garden State, how important it is to define and differentiate the time of day in scripts light-wise, and we even talk about getting fired! Tune in! ⠀⠀⠀⠀⠀⠀⠀⠀⠀
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RECOMMENDED EPISODE VIEWING: The Hangover⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Photo from theasc.com⠀⠀⠀⠀⠀⠀⠀⠀⠀
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