Cinematographer Peter James (MAO’S LAST DANCER, BLACK ROBE, DRIVING MISS DAISY) joins us this week on a new episode of the Team Deakins Podcast. In this episode, Peter discusses how he and the crew overcame the elements to shoot the colonial-era set BLACK ROBE on location in the Canadian wilderness. We also learn how the cinematography of DRIVING MISS DAISY evolves as the story progresses, and we marvel at the number of wigs created for the main cast. Peter also shares his experiences shooting MAO’S LAST DANCER in China without permission, and we reflect on having the best job in the world.⁠ ⁠ Hear more on Wednesday!⁠ -⁠ Recommended Viewing: BLACK ROBE⁠ -⁠ This episode is sponsored by Aputure⁠ Instagram: aputure.lighting⁠ -⁠ #teamdeakins #rogerdeakins #rogeradeakins #sirRoger #bywaysBook #jamesellisdeakins #teamdeakinspodcast #peterJames #cinematographer #cinematography #stillPhotography #visualarts