On Wednesday, cinematographer Edu Grau (THE ROOM NEXT DOOR, PASSING, A SINGLE MAN) joins us in a new episode of the Team Deakins Podcast. Edu shares with us how, after a six month drought from work, he was selected by director Tom Ford to shoot A SINGLE MAN, and we later reflect on working with actor/directors pulling double-duty. We also discuss Edu’s involvement on PASSING and the joy of shooting in black-and-white, and we learn how Edu decides when to operate. Plus, Roger shares which piece of unsolicited advice from cinematographer Ossie Morris he ignored.
Hear more later this week!
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This episode is sponsored by Aputure
Instagram: aputure.lighting
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