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โ€œI went out first to make a painting and then the Earth taught me how to make those shapes and the Neuf seriesโ€ฆ so the sovereignty of those [Neuf] paintings is very pronounced, they were made on Cheyenne-Arapaho territory, I made them myself, and I explored them myself, and then the politicized ideas came out of that.โ€ - Hock E Aye Vi Edgar Heap of Birds Edgar Heap of Birds ๐˜•๐˜ฆ๐˜ถ๐˜ง๐˜ด ๐˜ง๐˜ฐ๐˜ณ ๐˜–๐˜ฌ๐˜ญ๐˜ข๐˜ฉ๐˜ฐ๐˜ฎ๐˜ข, ๐˜ˆ๐˜ถ๐˜ต๐˜ถ๐˜ฎ๐˜ฏ ๐˜‰๐˜ข๐˜ด๐˜ฌ๐˜ฆ๐˜ต๐˜ฃ๐˜ข๐˜ญ๐˜ญ ๐˜Š๐˜ฐ๐˜ถ๐˜ณ๐˜ต๐˜ด ๐Ÿ“Campbell Art Park and Sculpture Garden okcontemporary NOW ON VIEW: okcontemporary Oklahoma Contemporary presents the first major retrospective of Oklahoma City-based artist Edgar Heap of Birds (b. 1954, Wichita, Kansas; Cheyenne and Arapaho Nation), who is known internationally for conceptual artwork that addresses Indigenous rights, sovereignty, and relationships to place. Hock E Aye Vi Edgar Heap of Birds: HONOR SONG is a landmark for American art, for the region, and for the city: the artistโ€™s first institutional survey in h...

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