On Wednesday, director Barry Jenkins (MUFASA: THE LION KING, THE UNDERGROUND RAILROAD, MOONLIGHT) speaks with us in a new episode of the Team Deakins Podcast. In the first half of our conversation, Barry reveals how he and his film school friends pulled off MEDICINE FOR MELANCHOLY and MOONLIGHT on shoestring budgets, and he details the intention and execution behind some of the longest shots in the latter film. We also discuss the budget crisis Barry and his team were forced to contend with on THE UNDERGROUND RAILROAD, and we learn how much of the show was shot, essentially, as freeform jazz. Plus, Barry reveals the premise of his unrealized Stevie Wonder time-travel script. ⁠ ⁠ Listen later this week!⁠ -⁠ Recommended Viewing: THE UNDERGROUND RAILROAD, MOONLIGHT, MEDICINE FOR MELANCHOLY⁠ -⁠ Photo Credit: Kyle Kaplan / Amazon Studios⁠ -⁠ This episode is sponsored by Barco & Aputure⁠ Instagram: barco_nv & aputure.lighting⁠ -⁠ #teamdeakins #rogerdeakins #rogeradeakins #sirRoger #bywaysBoo...