Unlock the jazz potential of the half-diminished (minor 7♭5) chord.
Most of the time, players treat the half-diminished chord as something mysterious or purely functional. But if you know how to phrase it, you can make it sound very bebop and melodic.
Here’s the approach:
1. Start from the 11th (4th) of the chord.
2. From there, move down the half-diminished scale, but with a twist:
- Use the scale that has a natural 2 instead of a flat 2.
- Think of it as an Aeolian ♭5 mode.
3. Add chromatic enclosures and chromatic approaches to your phrasing.
This creates a beautiful jazz vocabulary over minor 7♭5 chords, instead of just running patterns. This works perfectly over the iiø7 chord in a minor ii-V-i progression. So the next time you see it, try this sound and you’ll notice the bebop flavor it adds.
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