Step into City Hall Courtyard at National Gallery Singapore, you will encounter a shifting veil of beaded chains mirroring both the enclave and occupants, disclosing yet diffusing those till been evident.
Set against the skylight, ๐๐ถ๐ฑ๐ผ๐น๐ผ๐ป โ an installation by Vong Phaophanit and Claire Oboussier as part of the ๐ข๐จ๐ง๐๐ข๐จ๐ก๐ initiativeโinvites participants of the ๐ฎ๐ฐ-๐๐ผ๐๐ฟ ๐ฃ๐น๐ฎ๐๐๐ฟ๐ถ๐๐ถ๐ป๐ด ๐๐ผ๐บ๐ฝ๐ฒ๐๐ถ๐๐ถ๐ผ๐ป ๐ฎ๐ฌ๐ฎ๐ฑ to reveal what exists in the liminal, within the phantoms of the past and present, between essentialist landscape and individual identity.
Its title, from the Greek word for โphantom,โ gestures to the intangible, while its root eidos, โthat which is seenโ, suggests presence. As a counterpoise to the cultivated histories of the spaceโa museum, a municipal building, a private residenceโthe installation brings attention to what is visible, but also what lies beneath.
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