#Repost artnet ・・・ #ArtnetNews: No one does photography quite like Cindy Sherman (b. 1954). Since before the release of her acclaimed series “Untitled Film Stills” (1977–1980), the artist has made incisive images about gender, identity, and society that nearly all use herself as the model—but never as the subject. Over nearly 50 years, Sherman has been the consummate chameleon, losing herself in a wide range of assumed identities while skewering our societal expectations about how women are supposed to behave and present themselves to the world. Her work is a performance—but so too, she argues, are our own lives, informed by and responding to the way the world looks at women. “Cindy Sherman. The Women” is currently on view at the Hauser & Wirth's (hauserwirth) Menorca, Spain, location. It features work from eight different series from across the artist’s career, from early student work, shot in black and white, to colorful large-format photographs from the last decade. We spoke with...