The seamless transition from Warren Zevon's "Lawyers, Guns and Money" into "Throwing Stones", captured live at The Capitol Theatre on January 17, 2026. Watch as Joe Russo's Almost Dead shifts from a biting social commentary into one of the Grateful Dead's most searching explorations without breaking stride. This is where the magic lives: that suspended moment when one song dissolves into the next, when the band finds the bridge between two seemingly different worlds. "Lawyers, Guns and Money" carries Zevon's sharp wit and his unflinching look at power and consequence. JRAD locks into the groove with precision and attitude. Then, without a hard stop, without breaking the spell, the band pivots into "Throwing Stones," that Weir-Hunter composition that's equally concerned with power and responsibility, but from a completely different angle. The transition is effortless because JRAD has learned to listen as carefully as they play. The drums guide the shift, the bass anchors every moment, ...