A framed portrait of Prince Andrew quietly appears inside the Louvre Museum.
Title: He’s Sweating Now (2026).
A pointed reference to the infamous interview moment that became global satire — and a reminder that institutions, no matter how grand, are still vulnerable to disruption.
This wasn’t an official exhibition. It was an intervention. A guerrilla gesture in the spirit of Banksy — slipping commentary into the very heart of cultural authority and letting the public reaction become part of the work.
No press release. No wall text. Just placement, irony, and timing.
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