BLOOD BENEATH THE COTTON 🩸 This one means a lot to me. This film is bigger than vampires. It’s about power, history, and how stories can be rewritten from the shadows. I wanted to explore Black vampire lore in a way that’s never really been done — set during a time most people don’t expect to see it. The process was wild. Everything you see here was built piece by piece — every frame, every sound, every detail. I used Midjourney for visuals, Veo 3 for motion, Kling and Sora 2 for cinematic movement, Wan 2.5 for support, and 11 Labs for sound and music. Huge shoutout to Higgsfield for putting all these tools in one place and making experimentation way easier. And trust me — AI doesn’t make it “easy.” It’s still trial and error. Sometimes it’s 30–40+ image generations just to get one right shot. You still need creativity and vision. You still have to edit scenes, choose pacing, and match sound and visuals to make it feel cinematic. It’s not one click — it’s real filmmaking, just with...