There’s an unsettling sensation of reading someone’s personal diary upon entering Tracey Emin’s retrospective “A Second Life” at Tate Modern, for that’s what her entire body of work is. Olivia McEwan takes us through her thoughts on the show in her latest review on Hyperallergic — read it now through the link in bio. . . . 1 - Tracey Emin’s “My Bed” (1998) in A Second Life at Tate Modern (all photos Olivia McEwan/Hyperallergic) 3 - Tracey Emin, “Exorcism of the Last Painting I Ever Made” (1996), performance and multimedia installation #TraceyEmin #TateModern