fx3, 24mm, rs3 gimbal, and one arc around the subject 🔊 walk the camera in a curve past them and cut at the fastest point of the frame. that’s the whole move, the diagram is at the top of the reel. layered whoosh underneath is what builds the depth, because the gimbal isn’t actually moving as fast as it looks. if yours feels flat it’s not the camera, it’s that there’s nothing under the movement. send this to whoever you shoot with #sfx #sounddesign #gimbal #transition