there is something so fascinating about michelle pfeiffer’s catwoman that i don’t think i’ll ever fully comprehend selina kyle isn’t introduced as some effortlessly cool superheroine. she’s awkward, lonely, overlooked and constantly trying to make herself smaller in a world that barely notices she’s there. she’s the woman bringing coffee to the men in the room, nervously trying to speak up, talking to herself because honestly… who else is she supposed to talk to? then max shreck throws her out of a window, and instead of dying, she comes back completely unhinged, starting the chaos that is the batman returns iteration of catwoman what i love most is that she isn’t suddenly cured of everything that made her her. she’s still kooky as hell, but decided she’s not going to be invisible anymore. selina becomes this chaotic, sexually liberated, slightly feral little menace who is simultaneously hilarious, terrifying, deeply sad and somehow one of the most magnetic characters in the entir...