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๐—œ ๐—ฆ๐˜๐—ผ๐—น๐—ฒ These ๐—™๐—ฟ๐—ผ๐—บ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—ช๐—ต๐—ผ ๐—”๐—ฐ๐˜๐˜‚๐—ฎ๐—น๐—น๐˜† ๐— ๐—ฎ๐—ฑ๐—ฒ ๐—œ๐˜ ๐Ÿ‘‡ When I started producing music and DJing at 50, I paid attention to the people who were already doing it at the highest level. Not what they said or preached. But what they actually did. Hereโ€™s what I kept noticing: 1: They finished tracks consistently, even when they werenโ€™t perfect. 2: They kept a schedule and treated it seriously. 3: Some of their biggest tracks were ones they almost didnโ€™t release (like deadmau5 strobe) 4: They were part of a community of artists who grew together. 5: Their sound came from the artists they listened to the most. 6: They took opportunities before they felt ready. 7: They treated studio time like a real job, with structure and breaks. None of this is complicated. But actually doing it this way is what I saw over and over again. Thatโ€™s what stuck with me. ๐Ÿ‘‰ Follow @wardandrews for more on music, healing, and building your second act on the main stage. #dj #pr...

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