I always keep my Honda Pilot in my camera bag. The 2010 Honda Pilot rearview mirror backup cam is, objectively speaking, the perfect cinema camera for filming the chainsmokers. Everyone is out here arguing about FX5 color science, Sony autofocus, and 14 stops of dynamic range, but nobody is talking about the organic, raw pixel degradation of a 16-year-old OEM parking sensor. When you hit this tiny piece of glass with a million dollars of festival strobes, the sensor doesn’t just clip—it completely surrenders. You get this beautiful, unadulterated artifacting that you just can’t recreate in post. The aggressively wide focal length bends the pyrotechnics into an immersive, hyper-distorted bubble, and the chromatic aberration is simply unmatched. But the real magic is the in-camera UI. The permanent “Check Entire Surroundings” overlay provides this brutalist, avant-garde framing device. Watching the beat drop exactly as The Chainsmokers cross into the red “imminent collision” zone? Pure...