What if Pilate’s reluctance to execute Jesus was political theater?
Adam Winn’s Killing a Messiah uses historical fiction to explore the world behind the Passion narratives—a world shaped by Roman occupation, Passover expectations, resistance, fear, and political compromise.
Winn’s reconstruction is speculative, but it helped me think more carefully about imperial power, Jesus’s final days, and the danger of blaming the Jewish people collectively for his death.
My biggest takeaway: the crucifixion is a theological event, but it also happened within a real and complicated political world.
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