A sequel to a modern classic faces an uphill climb, but “The Social Reckoning” misses the mark entirely. Taking over the director’s chair, Aaron Sorkin proves rapid-fire dialogue alone can’t recreate cinematic lightning in a bottle. What should have been a high-stakes journalistic exposé ends up feeling like an unnatural, preachy misfire. Read more at the link in our bio.
Story | James Michael Counts
Graphic | Grace Morgan
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