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#360camera Swipe 👈 for more
By tomday
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Brief: To spin 360 (at pace!) around an actor in the centre of a four walled set without seeing track on the floor and without shadowing the character at any point. Include foreground objects to accentuate the speed and three dimensionality of the space. The move also needed to be fully repeatable for match cuts. and safe!
Step 1 - Assemble, lucky enough to get two of the best in the business in Steve Finburg (gaffer) and Adrian McCarthy (Grip) - not only amazing at what they do but some of the nicest people in the business.
Step 2 : Hamish’s sketch from the very first meeting. The whole rig coming from the celling rigging in order to be able to see 360. Fixed key light not rotating that drops through the eye of the storm (manual 2 foot wide circular bearing). Rotating backlight sky panel so that the character is always cut out from the set. Camera dropping low enough to hero angle the acto...